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Minggu, 05 Oktober 2014

Start Your Acting Auditions WHILE you are in College. Dont wait to gradutate!





Wendy Alane Wright is a Hollywood Talent Manager with WAW Entertainment. Her clients have appeared in numerous national commercials, movies, webisodes, short films, and on television networks such as ABC, NBC, Comedy Central, BIO, Lifetime, plus many more. Previous to being a Manager and a Talent Agent at Burn Down Entertainment, she assisted many high profile Managers, Agents and Publicists in the careers of Neil Patrick Harris, Johnny Galecki, Sarah Michelle Geller, The Four Tops, The Bee Gees, Meatloaf, Whoopi Goldberg, Steve Guttenberg, The Cranberries Michael Jackson, Barbra Streisand, Kenny Rogers, and Neil Diamond. Wendy is also a Recording Artist, Actress, Author and Music Producer all  giving her a 360-degree perspective of the industry.


Hey college students! You want to be an actor so you enrolled in college and are taking acting classes or you are majoring in theater. You are probably thinking when you graduate college that's when you are going to start your acting career, right? But let me tell you something that will really help you- Professional acting is the kind of business that works better the younger you start. By the time you graduate college you will be 4 years older other actors will already have professional credits and those are the actors you will be competing with for the same roles.

So here is my very important advice for college students in or around Los Angeles, New York, Atlanta, Dallas

1) AUDITION FOR FILM AND TV WHILE YOU ARE IN COLLEGE
While you are studying in college, its is important that you are also auditioning for film and TV in NYC or LA at the same time - or the closest big city that has casting directors and auditions.

You need to start meeting casting directors as soon as possible so they start to get familiar with you and your work. Do NOT wait until you graduate. Get an agent, go on auditions and start doing some professional work in commercials, TV, film and theater DURING the years you are in college. I'll say it again, you do NOT want to wait until you graduate to start building those relationships. Start as soon as you can while you are young. Do BOTH school and audition at the same time.

2) TRAIN. TRAIN. TRAIN.
Even though you are taking acting in college, you need to take a professional acting classes to develop your cold reading and audition skills. Once these are strong you are ready to get your first agent and start audioning for casting directors.

3) ALWAYS BE ACTING

Do theater productions at college and in the community. Take acting classes in audition techniques, acting, scene study and on camera. Some of your classes will be at collegeand others at professional schools. There is no reason you can't take an acting class in the closet big city 1 or 2 days a month. You need this professional training and so does your resume.

4) SUBMIT YOURSELF FOR PROJECTS

Create an account on Backstage.com upload your picture and create a resume. You can submit yourself to all kinds of acting projects like webseries, student films, short films, and commercials. Do it. You need to get experience and you need the credits on your resume.

5) BUILD YOUR RESUME

You should be building your resume while you are in college by adding a new acting class to it every year, AND by adding acting jobs that you do in short films, commercials, webseries, theater productions, and small roles on TV show etc.The reason I tell you this is the older you are the harder it is in this business. By the time you graduate college in 4 years you want to have at least 2 or 3 TV co-star or guest star credits on your resume.

What is a Co Star Credit?
A co-star is usually one day of work on a TV show with 5 lines or under.

What is a Guest Star Credit?
A guest start is usually 3-5 days of work on a TV show.

6) GET INFORMED ABOUT HOW THE BUSINESS WORKS

Read my book "How To Be A Star Right Where You Are." You can find it on my website SecretsOfAHollywoodTalentManager.com

When agents and managers are looking for new clients, we typically start with kids ages 7-19. They are easier to get auditions for. When you become an adult you will be comptering with actors who already have some TV credits. So YOU need to get some too! That makes agents fell more comfortable signing adults. So get some TV credits and build your resume while you are still in college.

Good luck!!!!!

Wendy Alane Wright
The Hollywood Talent Manager
SECRETSOFAHOLLYWOODTALENTMANAGER.COM
wawentertainment@yahoo.com

Kamis, 14 November 2013

52-Week Online Career Mentorship "The Winners Circle"

Step-by-Step 52-Week Online Career Guidance from a Hollywood Talent Manager




Beloved Actors, I am so excited! I have found a way to help make you a success :)


The problem you have, and all beginning actors have is - when you are new, most managers won't take you on because you probably won't make them any money for the first few years. So managers typically look for actors who are already working. But you still need a manager, or someone who can tell you what do you do?

At the beginning of your career, only a handful of lucky actors get a manager. But you still need someone who can help you and guide you...to make sure you get great headshots that pop to casting directors, to help you figure out your type so your headshots will show your type,  to help you figure out which casting directors you should be meeting and where to meet them. You need a manager to teach you how to build you resume up so it will impress casting directors. You need a manager to help you understand how to use online marketing, postcards, actor one-sheets and followup emails with industry people. You need a manager to make sure you write great, professional cover letters, to help you decide when to join SAG-AFTRA, when to stop doing student films, what acting jobs should you be trying to put on your resume, how to get a commercial agent, how to create a demo reel, a sizzle reel and create profiles online that are great and resumes that POP! But you can't get a manager yet, because you aren't going to make them any money. But you still need one.

That is why I created an Online Program to meet every beginning actor's needs. It's called TALENT MANAGER IN YOUR POCKET - A STEP-BY STEP 52 WEEK COURSE. When you sign up for my program I personally guide you for 1 year online making sure you do all the right things to begin your journey as a working actor. It doesn't matter what part of the country you are in, I can help you do everything we just talked about. It is the solution to your catch 22. But this program isn't for everyone. It is only for real actors.

I am a Talent Manager with 25 years experience in the Entertainment Business. Prior to being a Talent Manager, I was a Talent Agent. I have worked in Casting, Production, Network Television and at top Talent Agencies and Public Relation firms. I was also a professional singer and actor so believe me, I know this business inside and out. I know what it takes to work in it. This program is only for serious actors. If this is a hobby forget about it, I can't help you.

As a manager, I usually represent about 25 actors at a time, who are working in film, tv, webisodes, print, indies, shorts, theater, commercials etc. I get my actors agents, they book jobs and they work. But I can't represent every actor that submits to me. This year alone I have received over 2,000 submissions. I can only handle 25 actors at a time. (and even that gets rough) That's why I created an online program to guide every actor who wants professional help advancing their careers.

My online program THE WINNERS CIRCLE - THE WAW ELITE ACTORS CLUB is a  STEP-BY STEP 52 WEEK COURSE that fills the gap- it gives you the direction of a Talent Manager so you aren't guessing what you should be doing, or wasting money and time. Trust me, you need guidance on so many things... you don't know 1/2 of what you are doing. I get so many submission from actors who don't know what they are doing. Every day I look at lousy cover letters, resumes wrongly formatted, headshots that don't work, and demo reels that look so amateuristic. No wonder those actors aren't getting ahead. I hate for you to be in that category sitting with Casting Directors missing out all your amazing talent. But now with my online program, I am so excited, (I really am) I can help every actor who wants professional guidance. Waahooo! And that includes YOU!

WATCH  https://www.youtube.com/watch?v=FAaeMOprpPAhttps://www.youtube.com/watch?v=FAaeMOprpPA
https://www.youtube.com/watch?v=FAaeMOprpPA#sthash.mp93t6LL.dpuf
https://www.youtube.com/watch?v=FAaeMOprpPA#sthash.mp93t6LL.dpuf
https://www.youtube.com/watch?v=FAaeMOprpPA#sthash.mp93t6LL.dpuf


http://wawentertainment.com/Secrets.html

To sign up now, go to my website WAW Entertainment and join. Choose whether you want to be billed $100 monthly, or $300 every 3 months. By the end of the year you will be miles ahead of where you would have been without it. - See more at: http://secretsofahollywoodtalentmanager.com/talent-manager-in-your-pocket-step-by-step-instructions-for-every-actors-first-year/#sthash.mp93t6LL.dpuf
To sign up now, go to my website WAW Entertainment and join. Choose whether you want to be billed $100 monthly, or $300 every 3 months. By the end of the year you will be miles ahead of where you would have been without it. - See more at: http://secretsofahollywoodtalentmanager.com/talent-manager-in-your-pocket-step-by-step-instructions-for-every-actors-first-year/#sthash.mp93t6LL.dpuf

To sign up now, go to my website WAW Entertainment and join. Choose whether you want to be billed $100 monthly, or $300 every 3 months. By the end of the year you will be miles ahead of where you would have been without it. - See more at: http://secretsofahollywoodtalentmanager.com/talent-manager-in-your-pocket-step-by-step-instructions-for-every-actors-first-year/#sthash.mp93t6LL.dpuf
To sign up now, go to my website WAW Entertainment and join. Choose whether you want to be billed $100 monthly, or $300 every 3 months. By the end of the year you will be miles ahead of where you would have been with out it.

After you have joined THE WINNERS CIRCLE - THE WAW ELITE ACTORS CLUB 
email me at wawentertianment@yahoo.com to set up our first Skype Call. I look forward to speaking to your personally and getting to know you. We can talk about where you are right now in your career -what classes you have already taken, if any, and you can show me your current headshots and resume so I can review them and make changes to your resume to format it correctly. In our Skype conversation, we will also talk about your type, and your online profiles. I will give you immediate advice you can implement right away to get you onto the right path.

    I will be giving you all the SAME advice and guidance I give to all my signed actors. GO AHEAD AND SIGN UP TODAY!

    The cost is for this 1 year program is only $100 per month!  (That's less that $25 a week for professional guidance.) Compare that to just 1 acting class which costs $295 a month. So obviously, I am making it affordable for every actor who wants the guidance of a talent manager, but they are just to early in their career to attract one. You need a professional guiding you, so here is your opportunity. Just follow my simple monthly instructions for 1 year and step-by-step together we will advance your career.

    https://www.paypal.com/us/cgi-bin/webscr?cmd=_flow&SESSION=bs-QRhDuzYY_Wi5dwlmPZ1EGsjRJ4_7gr7ELVe1IWxzE9axQ0AGjz7EbR9e&dispatch=50a222a57771920b6a3d7b606239e4d529b525e0b7e69bf0224adecfb0124e9b61f737ba21b081986471f9b93cfa01e00b63629be0164db1


    SO... congratulations on deciding to join the club and work with me.  You will also be receiving a FREE copy of my e-book "Secrets Of A Hollywood Talent Manager" which we will use as a guide through the year, along with tons of helpful tools, audition secrets, workshops you should take, event invitations, and insider tips throughout the year to add to your success!

    Having a talent is a gift. Sharing it with the world is privilege. Having someone help you do it is good fortune. I look forward to working with you... if you are serious about doing the work :) 
This is going to be fun.

    See you on the Red Carpet,

     

    Wendy Alane Wright
    Talent Manager
    WAW Entertainment
    www.secretsofahollywoodtalentmanager.com

    Rabu, 08 Mei 2013

    Why do I have to keep getting New Headshots???





    What!!! I need new headshots again?

    Headshots are typically your first expense when starting your new acting business. They are part of the start up costs of your business. What every actor should understand about headshots is that you have to keep taking them until you find a picture that "pops" to casting directors and gets you called in for auditions. Sometimes an actor gets lucky and gets a picture that pops from their first session. Others may have to shoot 2, 3, 4 times with different photographers until that magical picture happens. It's all part of the start up cost of your acting business. No one knows why some pictures "pop" and some don't. No one can tell you why a photographer can create a picture that "pops" for one actor, but that same photographers pictures do not pop for another actor. It's truly a mystery.

    But it is a fact. And the expense is real. Recently I had a client shoot with a fantastic photographer, who has a history of his pictures popping for actors, but no one in casting is responding to her shots. Her agent wants her to shoot again with a new photographer and try someone else. I have to call my client and explain this. The thing with actors is they just don't understand how that could happen. "The shots look great, what do you mean they don't pop?"

    The only thing I can compare it to is advertising commercials, because it is very similar. An advertising team will come up with a concept, create a commercial story board, get the idea approved, cast it, shoot the commercial, air it and after all that money is spent the commercial may not "pop" to audiences and bring in a substantial amount of new or repeat business. Therefore, a brand new advertising campaign must be developed. Of course when the commercial is working, or it "pops" to audiences you may see that commercial 5-10 times a day until it runs out of steam. Then a new campaign must be shot and the whole process starts all over again.

    Your headshots are your advertising. They are your billboard. They are subjective and there is no way to determine if the artwork is effective until you create it. If Actors are going to be serious about this business, there is no use complaining about headshots that don't work. It's just time to re-shoot and create a new campaign. (On a side note: When it comes to kids, their looks change so quickly parents have to get new headshots for kids twice every year!)

    As a talent manager I am known for telling it like it is. No sugar coating. Sorry to burst your bubble! But if your headshots aren't working, it ain't personal. Just suck it up and re-shoot. It is part of the cost of doing business. Sometimes it amazes me how actors think that running their own acting company is going to be cheap. Newsflash, it isn't. It is actually costs about $8,000 a year with headshots, classes, workshops, etc. So be a smart entrepreneur and always save your money for the multitude of endless costs that come with running a business. Headshots, well I don't think any working actor is ever done shooting them. But, the cool thing is the more successful you become as an actor, then others start picking up the tab for your photo sessions! Waahoo, don't you just love that?

    Here is a word from my friend "down under" about headshots. He is spot on.

    Liam I agree with what you said on your website about headshots! - Wendy Alane Wright, The Hollywood Talent Manager

    " Why is a good headshot important?
    Your headshot is your calling card as an Actor and it can make or break your reputation and be the difference between you getting seen by Casting Directors, Agents and Directors.

    So many Actors and Actresses I know choose to go for the cheapest headshots around or will get their shots done by their friends or anyone with a camera. The age old adage you get what you pay for really does apply in this industry.

    Anyone can take a photo that makes you look nice or attractive but only someone that really understands the industry and how to help you stand out and market your best attributes will get you a great headshot!

    Your headshots are the first impression you are going to send out as an Actor and it's so important to make it a lasting one. If they aren't of the highest quality then you're just going to fade into the background and remain at an amateur level. Liam Murphy, Australia

    FREE! FREE! FREE! FREE! FREE!
    Get 3 FREE chapters of my new book "How To Break Into Show Business; Secrets Of A Hollywood Talent Manager." It includes my secret list of the most important casting directors that you should meet! Just sign up below.


    Sign up now for 3 FREE chapters of my new book "Secrets Of A Hollywood Talent Manager!"



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    Wendy Alane Wright Smith
    WAWEntertainment.com
    (818) 203-6080
    TWITTER: @WAW_Wendy

    Senin, 28 Januari 2013

    Top 10 Steps To Become An Actor in Los Angeles

    Wendy Alane Wright is a Hollywood Talent Manager with WAW Entertainment. Her clients have appeared in numerous national commercials, movies, webisodes, short films, and on television networks such as ABC, NBC, Comedy Central, BIO, Lifetime, plus many more. Previous to being a Manager and a Talent Agent at Burn Down Entertainment, she assisted many high profile Managers, Agents and Publicists in the careers of Neil Patrick Harris, Johnny Galecki, Sarah Michelle Geller, The Four Tops, The Bee Gees, Meatloaf, Whoopi Goldberg, Steve Guttenberg, The Cranberries Michael Jackson, Barbra Streisand, Kenny Rogers, and Neil Diamond. Wendy is also a Recording Artist, Actress, Author and Music Producer all  giving her a 360-degree perspective of the industry.



    It amazes me how many actors have been in Hollywood for several years and still don't know the basics of breaking into television. I am going to break it down simpler than I ever have. Here are 5 steps you can take to get ahead of your competition and maybe even get your foot in the door!

    1. Go to a Type Class with Mark Atteberry
    to figure out where you fit in in the business.

    2. Get your headshots done with STEPHANIE GIRARD http://www.stephgirardheadshots.com

    Have your 8x10 headshot reproduced at Argentum Photo Lab http://www.argentum.com

    3. SELF SUBMIT Create online profiles with ACTORS ACCESS http://www.actorsaccess.com and LA CASTING http://www.lacasting.com and http://www.backstage.com

    Upload your new Headshots. Upload 3-4 different looks. Start submitting yourself to indie films, webisodes, theatre productions, SAG ULB films, student films and non union projects.

    4. Take Commercial Training classes with Judy Kain http://keepitrealacting.com, Terry Berland http://www.berlandcasting.com and Francine Selkirk http://www.franceneselkirkcasting.com/
    Then go get a Commercial Agent!

    5. Take On Camera Training DOUG WARHIT http://www.dougwarhit.com/classes.htmand acting classes at Playhouse West and with HOWARD FINE http://www.howardfine.com/

    6. Create a professional Demo Reel and record 1 scene in HD at:
    Jig Studios http://jigreelstudios.com/
    Reel LA http://reel-la.com
    LA Reels http://lareels.com
    Create Your Reel http://www.createyourreel.com/

    Compare prices, styles and looks.

    7. When you have 8+ acting credits, (short films, student films, webisodes) go to agent showcases and try to get an agent. Show them how hard you work and how talented you are!

    8. Create a List of 10 TV shows you are right for, where you see your type on it every week. Figure out the casting directors at IMDBPRO http://www.imdb.com Take their casting Director workshops 3-4 times a year - You can use
    WORKSHOP GURU.com to find the workshops. Make sure you already have solid acting training, headshot, resume and reel. Even though it is a workshop, you have to do your best work. CD's remember great work and they remember bad work and will not call you in for auditions if they see bad work in a workshop.

    9. Before every TV audition watch the show you are going in for to get the feel and tone of the show. Be sure to look up who casts it and be ready to answer a question like, "Who is your favorite character on my show?"  Be familiar with the shows you are auditioning for. It highly likely the actor who gets the job will be.

    10. Stay in touch with every casting director you meet, director you work with and other actors you befriend along the way. People hire people they know, and people they like. Be likeable, professional and find ways to give to the relationships you are creating. Don't be a taker. Be a giver!

    That sound easy right? Well that gives you the JIST of what you should be doing during the 1st TWO- THREE years, so at least you are right on track. This career takes a lot of work and thousands of dollars to get started. If you don't have OUTSTANDING headshots you won't get anywhere. Don't have them taken by a friend for free. It is your most important tool. If you aren't submitting yourself everyday on Actors Access (mostly theatrical breakdowns) and LA Casting (mostly commercial breakdowns) and auditioning you are not getting better at auditioning, meeting casting directors and directors, and you are not building credits on your acting resume that agents will start to take seriously. If you have not trained with RECOGNIZABLE commercial acting teachers, your commercial agent will have a hard time selling you to casting directors and likely you won't even get in the audition room. If you are not training with well known and respected acting teachers, theatrical talent agents will never take you seriously. If you don't have TV credits, you MUST have training credits. Your resume MUST have professional training with several recognizable and respected acting teachers if you want Casting Directors to even look in your direction.

    Do these 8 things in your first 1-3 years and you will be miles ahead of other actors who are "winging it" without guidance or direction from a reputable Talent Manager.

    For you really dedicated and ambitious actors, here's a Bonus:

    #9. Learn all about making yourself STAND OUT from the competition by taking Actor Marketing classes with Dallas Travers. http://www.dallastravers.com

    This is the fast track. Get on it!
    Follow me on twitter for more great advice! @wendyalane1 LIKE WAW Entertainment on Facebook

    FREE! FREE! FREE! FREE! FREE!
    Want to Learn more? Get 3 FREE chapters of my new book "Breaking Into Show Business; Secrets Of A Hollywood Talent Manager."Just sign up below.


    Sign up now for 3 FREE chapters of my new book "Secrets Of A Hollywood Talent Manager!"



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    MONTHLY WAW "WINNER'S CIRCLE" WORKSHOPS
    Every month I offer a workshop called, “The Winner's Circle" for brand new actors which will help you begin to understand the business and start to develop a plan of action for your success. I teach it along with several important industry friends of mine including a top Theatrical Agent, Commercial Agent, Casting Director, Headshot Photographer, WorkingActor and including Reel Producer. You will learn so much information in this workshop from top people in the business who are all committed to your success! I have been coaching actors for years, and I know new actors need a mentor and professional guidance, so if you are new to this business I highly recommend this workshop. It will give you the "inside" information you need and it will put you miles ahead of the hundreds of other newcomers that arrive in L.A. every year. At the end of this 4-hour seminar with us you will have a game plan for success. The cost is $179 and it's worth every penny. Visit my website and sign up today for the next workshop. email wawentertainment@yahoo.com for more info.


    If you liked this information and found it helpful leave a comment! I love to hear from new people.
    Subscribe to my Secrets Of A Hollywood Talent Manager TV You Tube Channel with over 200 FREE Videos! And follow me on Twitter @WAW_wendy 


    Wendy Alane Wright Smith
    Talent Manager
    WAW ENTERTAINMENT
    wawentertainment@yahoo.com

    Minggu, 20 Januari 2013

    35 LA Photographers that Talent Agencies Recommend

    Wendy Alane Wright is a Hollywood Talent Manager with WAW Entertainment. Her clients have appeared in numerous national commercials, movies, webisodes, short films, and on television networks such as ABC, NBC, Comedy Central, BIO, Lifetime, plus many more. Previous to being a Manager and a Talent Agent at Burn Down Entertainment, she assisted many high profile Managers, Agents and Publicists in the careers of Neil Patrick Harris, Johnny Galecki, Sarah Michelle Geller, The Four Tops, The Bee Gees, Meatloaf, Whoopi Goldberg, Steve Guttenberg, The Cranberries Michael Jackson, Barbra Streisand, Kenny Rogers, and Neil Diamond. Wendy is also a Recording Artist, Actress, Author and Music Producer all  giving her a 360-degree perspective of the industry.


    Every Talent Agency has a list of reputable photographers they recommend to their clients. As a Manager I get tons of them so I will share a few of them with you. It is important to remember a couple of things. Every photographer works in their own way. They have their own style of shooting, favorite locations, lighting and backgrounds. What works for one actor with a photographer may not work for you. So interview several photographers until you find one you feel comfortable with. You need to be comfortable with the photographer so you can be relaxed during the session, be yourself and get great images.

    Make sure you get the whole session on a DISK if that is important to you. You have to ask each photographer if they do that because some photographers do not. They will take 300 pictures and only give you 3 8x10's asking you to buy additional shots. I hate that. If I pay $375 for 3 looks and a photographer takes 300 shots, I want all 300 of them on a disk so I can use them anytime I want for multiple reasons: websites, marketing, pr, online casting profiles etc. I also want to be able to try others from the session if the ones I am using are not working. Most photographers will give you a disk or link to a website with your images, but ask, don't assume. The picture I am using for my blog was taken by one of my favorite photographers; Michael Helms (www.Michaelhelms.com) My second favorite is Stephanie Girard (www.stephgirardheadshots). Her images are amazing! Check out both of their websites and see which one you like best!

    The second thing to remember is that headshots are not supposed to be "pretty" pictures. They are supposed to be shots of you that show Casting Directors your type and the type of roles they can cast you for. If you are the shy, quiet type your pictures should reflect that. If you are the outgoing, happy type your pictures should reflect that. If you are the angry or sarcastic type your pictures should reflect that too. And your pictures should look like you. No Casting Director wants to see a picture they like for a role, call you in to audition you and see someone who looks nothing like the photo walk in the door. That is a sure way to piss off a Casting Director and keep them from calling you in the future. This is avoidable so don't do it.

    Lastly, because most Casting Directors use online casting systems today, they only see a thumbnail of your picture. It has to "pop" or get their attention right off the bat. CD's use a numbering system. The numbers 1-5 are under every picture. If they really want to see you they type a #1 under your picture. If they maybe want to see you they type a #3. If they don't want to see you they type #5. Then they tell the computer to schedule all the ones at 5 minutes intervals so they can get actors in and out for auditions. Your picture has about 2 seconds to "pop."

    If the pictures you start out using are not getting you called in for auditions, your photos may not be "popping" or standing out from the others they are looking at so get rid of them and try new ones. Don't be married to them. I know they are expensive, but headshots are really disposable and only useful if they are getting you auditions. If you are stubborn about this, you will miss a lot of opportunities. So go shoot again, try different photographers until you get pictures that "pop." Don't go for the cheapest you can find because you get what you pay for. Most good photographers charge $250-$450 per session and kids are less. Expect to pay this and avoid cheap deals. It will likely be a waste of your money and you will end up paying the higher rates anyway. Note: If you change your look by cutting or dying you hair you will need new pictures.

    WAW ENTERTAINMENT TALENT MANAGEMENT RECOMMENDS

    www.stephgirardheadshots Stephanie Girard  (323) 366-2218
    www.marccartwright.com Marc Cartwright (323) 878-2603
    www.michaelhelms.com (818) 353-5855
    www.flygirlphoto.com 818.707.1255 flygirlphoto@gmail.com
    www.cathrynfarnsworthheadshots.com (310) 866-0268

    www.jbcimages.com (310)259-2363

    www.kennethdolin.com (213) 415-1838

    www.lindavanoff.com (310) 550-8430
    www.Kevynmajorhoward.com (323) 664-9564
    www.julsmegill.smugmug.com (951) 775 7156

    www.kitpictures.com (323) 206-6503
    www.julsmegill.smugmug.com (951) 775 7156

    I love these photographers. They ALL get me shots that get my actors auditions.
     
    Here are the recommendations of a few reputable Talent Agencies that I work with;

    HOWARD TALENT WEST TALENT AGENCY RECOMMENDS

    www.kruschkephoto.com (818) 556-6528 - $275.00
    www.davidsobel.com (310) 308-5957 - $150.00 kids
    www.rackedfocus.com (310) 428-1724- $175.00 kids
    www.guyviauheadshots.com (310) 202-1257- $255.00 (1-3 looks)
    www.marccartwright.com (323) 878-2603- $370.00 (3 looks) + 3 retouches
    www.kennethdolan.com (310) 276-9937- $375.00 (3 Looks)
    www.zoelogan.com (310) 729-9058- $300.00 (3 Looks)
    www.kelisquirestaylor.biz (323) 938-7729 $350.00 includes hair/makeup
    kids $150.00
    www.failsafephotography.com (310) 595-5906 $250.00 (3 looks) & kids
    www.lindavanoff.com 310) 550-8430 $200.00 (3 looks) & kids
    www.michaelhiller.com (323) 960-5111 $250 (3-4 looks)
    www.jbcimages.com (310)259-2363 $175.00 (3 looks)
    www.gibsonphotopro.com (323) 662-8884 $150-250.00 (4 looks)
    www.akeiganphoto.com (424) 248-5749 $300 (3 looks)

    SOVEREIGN TALENT AGENCY RECOMMENDS

    www.chuckwillisphotography.com (917) 520-3787
    www.jorycordy.com (301) 801-9070
    www.lindavanoff.com (310) 279-3133
    www.cathrynfarnsworthheadshots.com (818) 481-5551
    www.raychristianphotography.com (805) 612-2586
    www.travistanner.com (323) 252-9633

    KAZARIAN SPENCER RUSKIN AGENCY RECOMMENDS

    jeromeduchange.com (786) 554- 2491
    kelseyedwards.com (323) 936-6106
    robinganterphotography.com (310) 490-3227
    michaelhelms.com (818) 353-5855
    kenzikayphotography.com (818) 216-0543
    anitalobsenz.com (310) 963-1061
    medbyphoto.com (714) 325-9112
    davidmullerphotography.com (818) 640-8173
    mariarangephotography.com (323) 243-5500
    talisongroth.com (323) 898-9681
    michaelroud.com (808) 344-5336
    lindavanoff.com (310) 550-8430
    shelliwright.free.fr (323) 962-7683

    ALLENSWORTH TALENT AGENCY:
    Michael Helms Photography  (http://michaelhelms.com
    Michael@MichaelHelms.com (818) 353-5855 
    Matt Stasi Photography
    Kevyn Major Howard (323) 664-9564
    Dana Patrick: (310) 854-1135
    Vanie Poyey: (323) 856-6156
    Lorie Dorn:   (323)-931-7150

    Well that should get you started. Read my other blogs for really helpful insider information. Good luck and happy shooting!

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    Every few months I offer a workshop called, “The Winner's Circle" for brand new actors which will help you begin to understand the business and start to develop a plan of action for your success. I teach it along with several important industry friends of mine including a top Theatrical Agent, Commercial Agent, Casting Director, Headshot Photographer, Working Actor and including Reel Producer. You will learn so much information in this workshop from top people in the business who are all committed to your success!

    I have been coaching actors for years, and I know new actors need a mentor and professional guidance, so if you are new to this business I highly recommend this workshop. It will give you the "inside" information you need and it will put you miles ahead of the hundreds of other newcomers that arrive in L.A. every year. At the end of this 4-hour seminar with us you will have a game plan for success. The cost is $179 and it's worth every penny. If you register in the first 7 days after the workshop is announced the price is only $99. Visit my email wawentertainment@yahoo.com for more info.


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    Wendy Alane Wright Smith
    Talent Manager
    WAW ENTERTAINMENT
    wawentertainment@yahoo.com